Child Portrait, step-by step, in charcoal #2

I'm sorry this is not a good quality image, it was still on the easel. You can see I've refined and softened the skin. Still working with vine charcoal here. By the way, the finger cots are not used now because once you get a lot of charcoal on the page, they tend to pick it up, so I have switched to a maul stick.

Ordinarily, I don't like portraits of small children with open mouth smiles, because young children have gaps between their teeth that create a snaggle-toothed look. But this little boy has nice close teeth. This is not really a finished portrait, but a study for a larger oil I will be doing next.

Child Portrait, step-by step, in charcoal

I like to begin portraits with a charcoal study. Actually I was this far along before thinking my blog readers might be interested, so I'm sorry I didn't take some pictures earlier. You can see the grid lines I used for placement, and you can see I massed in the shadows using soft vine charcoal. I sort of work back and forth with the charcoal and an eraser, putting in darks and taking them out, till it gets to where I want it.

 

Here is the set-up in my studio. There is the image on the computer screen. I like working from the computer because it is so easy to enlarge the image. Any artist who has tried to work from a photograph, even 8" x 10" size, knows what I'm talking about. As you can see, I made it easier on myself here by converting the photograph to black and white.

 

For you trivia buffs, I know this looks like a condom... It is a finger cot. I like to use my pinky finger to steady my hand, and this keeps skin oils off the paper.

Trout Pond

...Trout Pond...

watercolor on 140# paper - 10" x 7"

This is a plein air watercolor of our beautiful WV autumn. Well, at least I tried. I have not done any watercolor painting for a long, long time, and boy, am I rusty! But there is something about the feeling of it, the downright joy of the colors, that caused me to go ahead and show it online.

Watercolors force me think in reverse from the way I have to think when painting in oils. I have to paint negative space and work light to dark, which is really an incredibly good exercise in visual thinking.

Primeval

 

...Primeval...

oil on canvas panel - 6" x 8" 

Another West Virginia landscape painting. Here is a rocky forest floor covered with moss. It was positively magical! The slanted light was just hitting the tops of the mosses, causing them to glow.

Taking my inspiration from the medieval icon painters, who painted on gold leafed panels (the gold symbolizing divinity), I covered the panel with Daniel Smith's gold gesso, and painted on top of that, hoping some of the luminescence would shine through. Sadly, I seem to have applied the paint too thickly, or perhaps the colors were too opaque. At any rate, the glow is only apparent in a few places. Here is a detail:

Even though I failed in my objective of communicating the beauty of those glowing mosses, I feel the painting still contains some of the magic and mystery of nature. I do intend to try some more paintings on gold gesso.

Purchase : $75 unframed (plus shipping). Please send me an email for availability.

See my other paintings on my website.

Framing

...Nestled In...

oil on canvas on panel - 6" x 6"

Today was damp and cold, so I stayed in and framed paintings. I have a show coming up at the end of the month, and need to get everything ready. It's amazing how much more complete the paintings look in frames! This one is in a floater frame which shows the artwork all the way to the edges. You can see the pink underpainting.

Blue Ridge Mountains II

...Blue Ridge Mountains II...
oil on canvas on board - 6" x 8"

Another misty sunset in the mountains. I used Grumbacher Copal Medium in this and really didn't like the effect this time. (It was fine when I was painting the red tulip, go figure.) But this time, every brushstroke seemed to lift the paint underneath.

Click here to buy $75 + shipping, unframed.

Redo--

...November Earth...
oil on canvas - 18" x 24"

This is a painting that I did last year. I decided to repaint it so there would be more muted color in the distance and the sky. Adding a new layer (scumbling) of light blue or pink in places created a pearly effect that I really like!